opportunity to learn from the best, and grow eff ective friendships. bottom rung. However, the friendships she made at Seneca, as well as the rela- tionships she started with various people in the industry, were fruitful. ing with people in hopes of marketing yourself and advancing your career. For radio, networking with good demo tapes or recordings of old broadcasts you've done gives potential employers the chance to hear you, and thus it is an extremely important factor in getting a job. All of her friends were beginning to earn jobs in the industry. It was to their advantage that they all worked together trading demo tapes while trying to fi nd their big break. For Thomson, her break came from Belleville, Ontario. Ontario, where the one listener was my Dad. But I kept networking; I talked to friends and contacts, and I sent out vari- ous recordings of myself." 680 News Toronto, doing overnight news updates, and, in doing so, she got her fi rst exposure to television. "I had to go on television for overnight news up- dates, where I'd sit down in front of the camera, the red light would come on and I'd read the news." come in for an interview. At fi rst she didn't believe it was real and thought it was a prank being played on her by a friend. She ignored it and moved on, but she received a second call that made it pretty clear that it was indeed a real interview. Thomson jumped at the op- portunity. The interview was a success as she was hired as a reporter. It wasn't long before she fi lled in for an absent TV news anchor. Not long after she was asked to anchor Global nightly news in Toronto before joining Canada AM in 2003. famous people. One that stands out for Thomson is Barbara Walters, a personal down barriers in the industry so that the next generation of female broadcasters could succeed. Thomson says it was one of the few interviews she was afraid to do. says is the best in the world. She does charitable work with the Canadian Breast Cancer Foundation, Muki Baum Associa- tion, Charles H. Best Diabetes Centre and is a 2006 recipient of the Gemini Humani- tarian Award. terest in documentaries, but for now, she adds, she has the best job in the world and still loves waking up and going to work every morning. [m] the world, and its support for the arts, has also changed. With the economy at the forefront of today's media, art is on the back burner. This is also the truth in regards to the government funding public school's arts programs. dize the creative ones. Art is the engine of the city. We go to Paris to see art. If we more art education, we could have poets as Prime Ministers or more people community. Art education should be mandatory, as it enriches the human experience." faith that artists are the visionaries of the future, good communicators and team players who can pioneer a new tomor- row. all about what's new. I don't agree with that. We don't need a new car design no gas. We better think up new and cre- ative ideas. If you want to call creativity art, it's OK with me," adds Klunder. which will follow Other Goose: Recycled Rhymes for Our Fragile Times, published in 2007. on. This is one of the primary messages of Klunder's work and is something we can all take to heart. [m] |