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Summer 2009 | MASQUERADE | Page 35
Government & The Arts
O
n Wednesday, February 11, 2009,
Richard Mortimer, Director of Culture, Pro-
grams & Services Branch of Ontario, joined
other arts community representatives at
LPCI's Careers in the Arts Afternoon. Mr.
Mortimer spoke about the importance of
arts education and his role in representing
the arts in provincial government.
LP: Do you have a background with the
arts?
RM: Yes, I have a fi ne-arts degree in The-
atre Performance from York University.
LP: Any advice for youth aspiring to
pursue a career in the arts?
RM: Be practical. Get a university de-
gree. Training in arts is tremendously
benefi cial. The Arts is about creativity
and being in touch with your creative
potential. This can be transferred to
any job in any sector. Be open, curious
and opportunistic to open yourself to a
variety of opportunities. One has to fi nd
ways to simply be engaged in the arts
community. Gradually, fi nd your way to
your fi nal goal.
LP: How important is arts education?
RM: When students have an experience
with art in school, one can use art to
teach other subject matter. For example,
music can teach mathematics. It has a
positive impact on the whole experience.
The positive impacts are areas of invest-
ment for the province.
LP: What role do the arts currently play
in society?
RM: The arts are the tools that society
uses to think about itself, to look at the
human experience and the individual ex-
pression of each human being. It helps
the individual think and understand life
in general. Art has the unique ability to
aff ect the individual in special ways. This
by Natalie Ast
he appreciates being recognized "not
by the colour of his skin" but simply as
an author.
When asked by an audience mem-
ber if he always wrote using a black
voice, Lawrence replied that he didn't
really know what a "black voice" was.
He prefers to say that he writes in nei-
ther a black nor white voice, but rather
in a human voice.
His forward-thinking approach
points us toward celebrating a histo-
ry that is not limited to a specifi c cul-
ture, but rather one that is streaked
through with the contributions of
many diff erent backgrounds.
by Elizabeth Sarjeant
Lawrence Hill's "Human Voice" cont.
Barbara Williams cont.
thing to have gotten American Idol. "
The success of CSI and its spin-off s on
CTV were also cited as frustrations for
her, but Williams is quick to point out
that her network currently owns the #1
show in Canada: House.
Despite this success, Williams sees
upcoming challenges in the television
business. "Your generation doesn't watch
TV like mine did. People are not watch-
ing television in big numbers anymore.
You guys watch television on PVR and
on your computers, and we are trying to
fi gure out what that means to our busi-
ness. How can we have a business when
people don't watch as much TV any-
more? What is the future of television?"
Williams says this as if it is an interesting
trivia fact, rather than a potentially ruin-
ous future for her business. She does not
give the impression of someone whose
future is uncertain.
While the future of television in gen-
eral remains in question, William's own
future appears stable. "I'm in love with
Toronto," she says. "Some people in my
business are tempted to try and work in
the States to see if they've really got it.
I have defi nitely thought about it, but
I have a beautiful family right here and
I'm not going anywhere." She cites her
consistent traveling to New York and Los
Angeles as enough to satisfy her need to
be in the U.S.A.
When asked about the most frustrat-
ing part of her job, she said, "It's just
when things aren't working and the
viewers aren't there and the advertising
dollars aren't there... But the ability to
infl uence people by changing what's
on the screen helps keep me motivated
every day."
Her enthusiasm for her work is
summed up by her statement, "I love
my job. I look forward to going to work
everyday."
Williams, a dedicated mother of three,
is always sure to remind her children that
"busy people are happy people." Williams
follows her own model perfectly. She is
an example of how most people don't
end up where they expect, and most of
the time that's quite alright. Sometimes
the best plans are the ones that don't
exist at all. [m]
C a r e e r s i n t h e A r t s
continued on page 37